Writings丨写作

A Snapshot of Fictional Cities & Contemporary Chinese Art

Writings and Reviews丨展评

▪ “Assembly Line Project 2019: The Dove + A One-eyed Fish,” Present Tense: Task Remembrance exhibition catalog

▪ “Queer Sublime”: Kai Chen’s Painting of Transcendence

▪一直未完成：布莱德·布朗的日常绘画创作丨It's on Going: The Paintings of Brad Brown

▪ American Desert Photography: Silent, Hot and Fierce

美国沙漠摄影: 寂静, 炙热与暴烈

▪ The Tale of Everyday Objects via City's Secret Passages: The Works of Donna Conlon and Jonathan Harker

城市密道中的日常物语

▪ Construct the Space for Memory and Reconstruct the Theater in the "Spare Space”

留下空间”构建的记忆空间和重置剧场

▪ Capital Gone Mad in Moving Images⼁流动影像中的疯狂资本

▪ It Is the Human Desire under the Fantasy of Currency⼁在货币的幻想之下，其实是⼈类的欲望

万花筒图景—— 全球化中国当代艺术中的未来世界

Translation丨翻译

Curatorial Writings

▪Here Lies One Who Name was Writ in Water丨这里长眠着一个名字写在水中的人

▪I Can't Work Like This丨我无法像这样工作

▪On a Dark Day in a Dark Building丨在阴暗的一天，一幢漆黑的建筑里

▪Happy Pixels Hop Off into Low-Resolution, Gif Loop! 丨艺术家Hito Steyerl与她躁动不安的像素

▪If You Want: Individual Army 丨如果你愿意, 个人的军队

Interviews

▪ Dana Stirling: I Make a Book of Rejection Letters丨达娜·斯特林: 我拒信做成了书

▪ Matthew Leifheit: One Magazine, One Idol丨马修·莱夫海特: 一本杂志, 一个偶像

▪ Jason Paul Reimer: Searching for the Meaning of Brith and Death with Photobook

杰森·保罗·赖默⼁⽤摄影书探寻⽣生与死的意义

▪ Ciara Duffy: Forever Young, Be Cool⼁西娅拉·达菲: 永远年轻, 永远酷